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Luca, a petrol dealer, marries a magazine dancer, Ippolita, a girl who likes to be courted by the many passing motorists. One day, the woman discovers that her husband has betrayed her with Adriana. Ippolita decides her revenge: she assures Luke that she will keep her duties as a wife only when she too has allowed herself similar distractions. Through a series of animated events, the two resume married life: but Luca will not be able to know if Ippolita was really unfaithful to him.

Stories of extraordinary lives and extraordinary lands across the globe.

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The art of memory is a classic technique that associates images with places through a process of remembrance and meaning. From the memory of places and their context, the documentary delves into the creative process of three contemporary visual artists: Daniel Blaufuks, Pedro Bastos and José Rufino. Despite the different expression approaches of each author, we find points of communication in the way memory operates in their works. By rummaging through the hazards and disorder, we arrive at the director's personal mythology, assuming that memory is a fiction like any film.

Any sculpture that contains moving parts. It started with the Dada artist, Marcel Duchamp, with his spinning bicycle wheel on a stool in 1913. The root of this style is connected by the interest in modern technology. Venezuelan artist Jesús Rafael Soto (Venezuela, 1923), was an innovator in the kinetic art movement in Latin America. 　　Monthly review of Modern Brazilian art first published in 1922 – the same year as the Modern Art Week in Sao Paolo – and emphasized an international, industrialized context for art. It asserts: "We need to reflect. We need to clarify. We need to construct. That is the reason for Klaxon. Klaxon will never complain that it is not understood in Brazil. Brazil must make an effort to understand Klaxon."

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